I’m a Wayne Stellini and welcome to FRED Watch, where we review everything from the mainstream to the obscure. Today’s film is the disaster drama Earthquake…

Universal Pictures
When a massive earthquake hits Los Angeles, California, an assortment of people with interlocking stories fight to survive the natural disaster as well as its numerous aftershocks…
1970s Hollywood productions are defined by their large-scale disaster pics and Earthquake, sandwiched in-between Irwin Allen blockbusters The Poseidon Adventure (December 1972) and The Towering Inferno (December 1974), was one of the significant releases.
It follows Allen’s formula insofar as casting established and potential stars playing easily identifiable characters as well as the reliance upon competent special effects and stunt teams (141 members; a record at the time). The film also utilised new audio technology, “Sensurround”, so that audiences would feel as though they were literally in the middle of the action when the titular event and obligatory aftershocks occurred. Such a gimmick becomes immediately redundant when the film is presented away from the big screen and accessed through contemporary digital means.
And this is where the weight of Earthquake rests on Mario Puzo and George Fox‘s script. The characters here are a mixed bag; some are quite engaging (Geneviève Bujold as a single mother and actress) and others are too oddball to be completely accessible (Marjoe Gortner as a military personnel who makes ends meet as a store clerk). Bonus casting are Walter Matthau (beautifully credited as “Walter Matuschanskayasky”) as a barfly and a spunky Victoria Principal sporting one of cinema’s greatest afros.
The central figures are a feuding couple played by a generally good Charlton Heston and Ava Gardner. Because the script was trimmed down, their backstory is never fully explored and thereby the characters, particularly Gardner’s emotionally unstable spoilt brat, fail to truly capture one’s sympathy when their lives are threatened; this is where Earthquake differs greatly to it its two aforementioned superior contemporaries.
And of the titular natural disaster itself… The earthquake lasts for just under eight minutes and is a wonderfully shot and edited sequence. Genuinely thrilling with almost-always believable moments of carnage (sans the elevator shot), the film still holds up relatively well today, but will perhaps be most embraced by fans of the genre.
While by no means the classic is should’ve turned out to be, Earthquake is fun enough to sustain its two-hour gestation. 4 / 5
Starring: Charlton Heston, Ava Gardner, George Kennedy, Lorne Greene, Geneviève Bujold, Richard Roundtree, Marjoe Gortner, Barry Sullivan, Lloyd Nolan, Victoria Principal, Walter Matthau [credited as Walter Matuschanskayasky], Monica Lewis, Gabriel Dell, Pedro Armendáriz Jr., Lloyd Gough, John Randolph, Kip Niven, Scott Hylands, Tiger Williams, Donald Moffat, Jesse Vint, Alan Vint, Michael Richardson, John Elerick, John S. Ragin, George Murdock, Donald Mantooth, Lionel Johnston, Alex A. Brown, Bob Cunningham, John Dennis, Gene Dynarski, Bob Gravage, Hard Boiled Haggerty, Tim Herbert, Dave Morick, Inez Pedroza, Josh Albee [uncredited].
Director/Producer: Mark Robson | Writers: George Fox, Mario Puzo | Music: John Williams | Cinematographer: Philip H. Lathrop | Editor: Dorothy Spencer
Available: Amazon
Let us know what you thought of this film in the comments!
I’ve been a Wayne Stellini and you’ve just experienced FRED Watch.

Kendall, Fulya, and Wayne deliver the latest in nerdy news and geeky goodness in the pop culture podcast that refuses to behave—it’s A Podcast Called FRED!
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I’m a Wayne Stellini and welcome to FRED Watch, where we review everything from the mainstream to the obscure. Today’s TV series is the Netflix documentary Conversations with a Killer: The Ted Bundy Tapes…

Netflix
A series of recorded interviews between journalist Stephen Michaud and death row inmate Ted Bundy frames this recounting of the serial killer’s crimes from the mid- to late-1970s, offering insight into the charismatic criminal’s motivations and modus operandi.
As one of the most infamous American serial killers, there is perhaps little that isn’t known about Ted Bundy. His name alone conjures images that praise his aesthetics and acknowledge his intelligence. These qualities often overshadow the thirty-plus young women and girls who lost their lives to a man who saw females as nothing more than ‘merchandise’ and ‘possessions.’
What Conversations with a Killer: The Ted Bundy Tapes does particularly well is that it highlights the convicted killer’s charisma, which may feel over-emphasised but is vital to the broader narrative, without ever glorifying him. Through hours of mostly one-sided conversation, Bundy explains and explores his own mentality as well as the crimes he admits to committing.
Fleshing the tapes out are archival footage of and interviews with journalists, law enforcement officials, witnesses, and survivors, illustrating a climate that was fuelled with both fear and intrigue. Bundy’s victims—one of whom was as young as twelve—are presented and discussed in a dignified manner; writer/director Joe Berlinger is never exploitative in his approach to telling this familiar tale.
The draw card here is, of course, hearing from Bundy himself. His reflections on death row as well as his charming interactions with the media and particularly Judge Edward Cowart, whose final words to the condemned killer are quite extraordinary, not only demonstrate the enduring fascination with Bundy but also why he remains one of the United States’s most dangerous criminals on record.
Overall, Conversations with a Killer: The Ted Bundy Tapes is a skilfully crafted and engrossing true crime series. 4½ / 5
Starring: Ted Bundy [archival], Stephen Michaud, Hugh Aynesworth, Bob Keppel.
Director/Writer: Joe Berlinger | Executive Producers: Joe Berlinger, Jon Doran, Jon Kamen, Justin Wilkes | Music: Justin Melland | Cinematographer: Adam Stone | Editors: Cy Christiansen, Joshua L. Pearson, Sarah Devorkin
Available: Netflix
Let us know what you thought of this series in the comments!
I’ve been a Wayne Stellini and you’ve just experienced FRED Watch.

Fulya and Kendall are back for the 2019 season of The Monthly @ WiniFRED’s!
Join the ladies as they objectify the three Chrises of the Marvel Cinematic Universe—featuring inappropriate thoughts from you!
Have a listen and let us know who your favourite Chris is and get ready to respond to the next Monthly question, revealed at the end of the episode ⬇️
The ladies also take a moment to swoon over Chris Evans, encouraged by Buzzfeed’s “16 Times Chris Evans Was The Most Wholesome Celebrity On Twitter” article.
PREVIOUS EPISODE: The Monthly @ WiniFRED’s #18 ⬇️

Join FRED the ALIEN Productions‘s pop culture queen Kendall Richardson for Collectible Chaos!
Kendall kick-starts the year with a look at her favourite films of 2018.
Check out Collectible Chaos – Top Ten Films of 2018 ⬇️
Let us know your favourite Muppet moment in the comments!
RELATED EPISODE: Collectible Chaos: Top Ten Films of 2017 ⬇️

Kendall, Fulya, and Phillip deliver the latest in nerdy news and geeky goodness in the pop culture podcast that refuses to behave—it’s A Podcast Called FRED!
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Trailer Park discussions:
Popcorn Culture:
Check out A Podcast Called FRED #52 ⬇️
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PREVIOUS EPISODE: A Podcast Called FRED #51 ⬇️
I’m a Fulya Kantarmaci and welcome to FRED Watch, where we review everything from the mainstream to the obscure. Today’s film is Disney’s Lilo & Stitch…

Walt Disney Pictures / Walt Disney Feature Animation / Buena Vista Pictures
Hawaiian girl Lilo (Daveigh Chase) forms a friendship with a naughty alien known as Experiment 626 (Chris Sanders), whom she adopts from a dog shelter after he crash lands from outer space. Lilo attempts to teach the poorly behaved extra-terrestrial, who is given the name Stitch, to be “a model citizen.” But no matter what she tries, Stitch still seems to want to destroy whatever he touches—that’s what he was created for, after all. And so, Stitch is forced into situations where he needs to be on his best behaviour in order to survive being captured by his creator Dr. Jumba Jookiba (David Ogden Stiers) and the expert on Earth, Agent Wendall Pleakley (Kevin McDonald).
Ahh… Disney. You always make me feel like I’m seven again whenever I watch these beautiful films.
Lilo & Stitch begins with a very sci-fi opening: a grand council on a spaceship. A scientist, Jumba, is accused of illegal experimentation after creating the “monstrosity” that is Experiment 626. He denies it, of course, and after 626 displays his terrible behaviour to the whole council, he is exiled for eternity and Jumba is imprisoned. I have to admit, Stitch is the cutest alien I’ve ever seen! He is a very clever escape artist too.
Jumping ahead to Earth, the scene opens with lovely traditional Hawaiian music that makes you feel like you’re sitting on a beach on a tropical island drinking a cocktail out of a coconut. And the colours—oh, the colours! So bright yet not overpowering. I absolutely love the way the characters have been drawn, giving the film its own uniqueness.
The story about a lonely little girl who has trouble making friends and is in a broken family really pulls on your heartstrings. All she wants to do is have fun and be a part of a loving family. Her older sister Nani (Tia Carrere) is trying her absolute best to take care of Lilo, but she also has her own problems. Trying to find a job and keeping it has been a struggle for Nani, especially since she is the legal guardian of her younger sister after their parents passed away in a car accident. If that’s not bad enough, a man from social services is on her back telling her if she can’t uphold a job and look after Lilo properly, then she will have to say goodbye to her little sister forever.
I have loved this film ever since it was released back in 2002. It is beautiful, fun, and features music from The King himself, Elvis Presley.
It is definitely worth a watch no matter who you are. And remember, “Ohana means family. Family means nobody gets left behind or forgotten.” 4 / 5
Starring: Chris Sanders, Daveigh Chase, Tia Carrere, David Ogden Stiers, Kevin McDonald, Ving Rhames, Kevin Michael Richardson, Zoe Caldwell, Jason Scott Lee, Miranda Paige Walls, Amy Hill, Susan Hegarty.
Directors/Writers: Chris Sanders, Dean DeBlois (Story: Chris Sanders) | Producer: Clark Spencer | Music: Alan Silvestri | Editor: Darren T. Holmes
Available: DVD
Let us know what you thought of this film in the comments!
I’ve been a Fulya Kantarmaci and you’ve just experienced FRED Watch.

Kendall, Fulya, and Wayne deliver the latest in nerdy news and geeky goodness in the pop culture podcast that refuses to behave—it’s A Podcast Called FRED!
Nerdy News includes:
Trailer Park discussions:
Popcorn Culture:
Check out A Podcast Called FRED #51 ⬇️
Remember to let us know your response to the Popcorn Culture question so you can be featured in the next episode of A Podcast Called FRED!
PREVIOUS EPISODE: A Podcast Called FRED #50 ⬇️

Century 21 Cinema Productions / Associated Television / United Artists
The FRED Watch boys are back for 2019, reviewing everything from the obscure to the mainstream!
Phillip brings Thunderbirds Are Go (1966) to Wayne; the first big screen rendition of the popular supermarianation television series. But the boys discover that the film suffers from poor pacing, meaningless plot points, and what would have to be one of cinema’s longest and weirdest wet dreams… involving Cliff Richard and The Shadows.
Listen to their review here:
Check out the theatrical trailer:
Starring: Sylvia Anderson, Ray Barrett, Alexander Davion, Peter Dyneley, Christine Finn, David Graham, Paul Maxwell, Neil McCallum, Bob Monkhouse, Shane Rimmer, Charles Tingwell, Jeremy Wilkin, Matt Zimmerman.
Director: David Lane | Writers: Gerry and Sylvia Anderson (based on Thunderbirds by Gerry and Sylvia Anderson) | Producer: Sylvia Anderson | Music: by Barry Gray | Songs: Cliff Richard and The Shadows | Cinematographer: Paddy Seale, John Read | Editors: Len Walter
Available: Blu-ray.
Let us know what you thought of this film in the comments!
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The Bums are back, earning money the only way they know how! But you wouldn’t believe us if we told you…
Check out UNI-Bums: Fleaing the Scene ⬇️
Starring: Michael R. Lister, Phillip Hunting, Bethany Griffiths.
Directors: Bethany Griffiths, Michael R. Lister | Writers: Bethany Griffiths, Michael R. Lister, Phillip Hunting, Kirsten Shanahan (based on characters created by Michael R. Lister and Phillip Hunting) | Producers [uncredited]: Bethany Griffiths, Phillip Hunting, Fulya Kantarmaci, Michael R. Lister | Cinematographers: Bethany Griffiths, Michael R. Lister | Editors: Phillip Hunting, Fulya Kantarmaci
What did you think of Sydney’s venture? Let us know in the comments!
RELATED VIDEO: UNI-Bums: With Benefits ⬇️
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