
DarthPudden, Sharpy and Fulish Fuji play Rocket League!
Streamed live on YouTube, check it out ⬇️
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PREVIOUS EPISODE: Incompetent Gamers: Rocket League / Pay Day 2 / Plague Inc. Evolved Live Stream: Early Morning Run! ⬇️

Fulish Fuji is back to play the final case of the Freddi Fish franchise! Strap on your scuba gear because she is diving in deep for this one!
Streamed live on YouTube, check out Freddi Fish 5 — The Final Case! ⬇️
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PREVIOUS EPISODE: Freddi Fish 4 —Fulish Fuji Continues the Fishiness ⬇️

It’s the final episode of 2018!
Join Fulya and Kendall as they discuss Fantastic Beasts: The Crimes of Grindelwald in full detail—including reviews from you!
There’s spoilers ahead, so if you’ve seen the film, have a listen and let us know your thoughts! As always, get ready to respond to the next Monthly question, revealed at the end of the episode ⬇️
PREVIOUS EPISODE: The Monthly @ WiniFRED’s #17 ⬇️
I’m a Wayne Stellini and welcome to FRED Watch, where we review everything from the mainstream to the obscure. Today’s film is the underrated period drama The Age of Innocence…

Columbia Pictures
Based on Edith Wharton‘s Pulitzer Prize-winning novel, Martin Scorsese‘s visually lavish and deliciously written study of 1870s New York aristocracy centres on the painfully suffocating emotional affair between lawyer Newland Archer (Daniel Day-Lewis) and the scandalously separated Countess Ellen Olenska (Michelle Pfeiffer), whose young cousin, May Welland (Winona Ryder), he is engaged to.
The struggle between individual and social fulfillment is a recurring theme of Edith Wharton‘s writing, and her delicious use of language guides the audience through The Age of Innocence in the form of Joanne Woodward‘s narration. The way the camera often moves around the room, makes you feel as though you are a fly on the wall with Woodward whispering sordid details in your ear; a reflection of the potentially damaging gossip that prevents Ellen from truly feeling at home and threatens to destroy Newland’s standing in society—a society that is overseen by Mrs. Mingott (an outstanding Miriam Margolyes).
This underlying threat is beautifully conveyed by its central performers. Daniel Day-Lewis displays a stunning range of emotions as Newland (he swings from bashfulness to anger so easily), Michelle Pfeiffer evokes much sympathy as Ellen, presenting an emotionally damaged yet strong-willed character, and Winona Ryder‘s May has a delicate naïveté that grows into a conscience knowing. But these beautifully constructed, complex characters are so well developed that it is difficult to truly empathise with May; so invested are we in Newland and Ellen’s forbidden love that we never stop wanting them to be happy.
In the end, though, the decision rests with Newland and his choice is an emotive, self-inflicted cruelty. 4½ / 5
Starring: Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Miriam Margolyes, Geraldine Chaplin, Michael Gough, Richard E. Grant, Mary Beth Hurt, Robert Sean Leonard, Norman Lloyd, Alec McCowen, Siân Phillips, Carolyn Farina, Jonathan Pryce, Alexis Smith, Stuart Wilson, June Squibb, Joanne Woodward, Domenica Scorsese.
Director: Martin Scorsese | Producer: Barbara De Fina | Writers: Jay Cocks, Martin Scorsese (based on the novel The Age of Innocence by Edith Wharton) | Music: Elmer Bernstein | Cinematographer: Michael Ballhaus | Editor: Thelma Schoonmaker
Available: DVD
Let us know what you thought of this film in the comments!
I’ve been a Wayne Stellini and you’ve just experienced FRED Watch.

Walt Disney Pictures / Jim Henson Productions / Buena Vista Pictures Distribution
Because everything is better with the Muppets, Phillip and Wayne revisit the classic family musical The Muppet Christmas Carol (1992) in a special Christmas Day FRED Watch presentation!
Listen to their review here:
Check out the trailer here:
Starring: Kermit the Frog, Miss Piggy, The Great Gonzo, Rizzo the Rat, Fozzie Bear, Michael Caine, Dave Goelz, Steve Whitmire, Jerry Nelson, Frank Oz.
Director: Brian Henson | Producers: Brian Henson, Martin G. Baker | Writer: Jerry Juhl (based on the novella A Christmas Carol by Charles Dickens) | Music: Miles Goodman | Cinematographer: John Fenner | Editor: Michael Jab low
Let us know what you thought of this film in the comments!
You’ve just experienced FRED Watch.

Join FRED the ALIEN Productions‘s pop culture queen Kendall Richardson for Collectible Chaos!
In this Yuletide special, Kendall counts down her favourite things about the holiday classic, The Muppet Christmas Carol.
Check out Collectible Chaos – Top Ten Things About The Muppet Christmas Carol ⬇️
Let us know your favourite Muppet moment in the comments!
PREVIOUS EPISODE: Collectible Chaos: Top Ten Stan Lee Cameos ⬇️

Warner Bros.
It’s four nerds and a comic book movie for this episode of FRED Watch! Wayne brings Superman (1978), his favourite superhero film of all time, to Phillip, Ashley, and special guest Kendall.
While Ashley and Kendall share Wayne’s nostalgic childhood memories, Phillip experiences Richard Donner’s genre masterpiece for the first time… with a slew of superhero blockbusters to compare it to!
Listen to their review here:
Check out the original teaser trailer and theatrical trailer:
Starring: Marlon Brando, Gene Hackman, Christopher Reeve, Ned Beatty, Jackie Cooper, Glenn Ford, Trevor Howard, Margot Kidder, Jack O’Halloran, Valerie Perrine, Maria Schell, Terence Stamp, Phyllis Thaxter, Susannah York, Jeff East, Marc McClure, Sarah Douglas, Lee Quigley, Aaron Smolinski, Diane Sherry [aka Diane Sherry Case], Jeff Atcheson, Brad Flock, Rex Reed, Rex Everhardt [aka Rex Everhart], Larry Hagman, Kirk Alyn [uncredited], Noel Neill [uncredited].
Director: Richard Donner | Writers: Mario Puzo, David Newman, Leslie Newman, Robert Benton, Tom Mankiewicz [credited as creative consultant] (based on Superman created by Jerry Siegel and Joe Shuster) | Producer: Pierre Spengler | Music: John Williams | Cinematographer: Geoffrey Unsworth | Editors: Stuart Baird, Michael Ellis
Love the Christopher Reeve Superman franchise? We recommend following CapedWonder.com on Instagram!
Let us know what you thought of this film in the comments!
You’ve just experienced FRED Watch.
RELATED VIDEO: Collectible Chaos—Top Ten Favourite Childhood Movies ⬇️
You’re a mean one, Beta test, you really are a heel. You’re as cuddly as a cactus, you’re as charming as an eel Beta Test! You’re a monthly game blog who’s a big ass third wheel! Is my brain full of spiders? Do I have garlic in my soul? Or do I just really enjoy the voice of Tony the Tiger? Moreover, Does everyone also have a problem with Fairy tale of New York, or is it just me? So many questions, not enough time because holy hell!
…
It’s Christmas my dudes.
Hello my Scumbags, my Maggots, by cheap lousy – Nope, not going there. Can’t. Shan’t! I’m a Bethany Griffiths, and this is Beta Test. A game review platform where I – a person who thinks that song is way worse than baby it’s cold outside, self confessed Noob – choose one game a month to go ham on until either I get better or get wrecked. All in the hopes that I can provide you with a completely unbiased review.

So it’s been a whole ass year since I started doing this little thing called Beta Test. A whole year of gaming as a novice, and trying something new. A giant year for me of travelling overseas, starting a new job, and getting my shit together (mmmk). I gotta tell you, it makes me so happy that you’ve all joined me for this wild ride. I’m so happy to have brought a little Beta into your life, and I’m so happy to be going into this next year GUNS SO OUT THEY’RE BLAZING!
Today, my little humbugs I delve into Town of Salem, a Steam driven take of one of my Favourite all time games, Werewolf. For those that aren’t in the know (or don’t have a collection of 10-15 friends to sit around every weekend night for a month with), Werewolf is a ‘whodunnit’ card game where players are issued a secret card each. They take turns guessing who has the wolf cards, and lynching (verbally, dear god please verbally) people they find suspicious. The wolves come out at night (when everyone has their eyes closed and pick people to off until there isn’t anyone left.
You know, like a really complicated version of wink murder, or Heads down thumbs up, or Cluedo … or Christmas with the in laws. (watch me ducking the hatchet this December 25th)
Now, as someone who has played this in at least three iterations of its original form, (long card game, condensed card game, and online using only Facebook Messenger *don’t ask. It’s so stressful*) I was really dang nervous to start playing it online. What if people didn’t like me, what if I gained a bad online presence, what if it was a boys club…What if they shouted N00b at me? But like everything else on the internet, the only thing I had to worry about was the amount of Antisemitic, racist, and Xenophobic names people played under. Go figure.
Anyway…
Developed and published by Blank Media Games, Town of Salem employs all the tactics of the card game Werewolf (or sometimes as it’s known, ‘Mafia’) that I know and love, and makes it it’s own in the online realm. The game is a tactic take on the classic murder mystery, where you take turns over the course of many ‘days’ and ‘nights’ to find out who the baddies are, and who to trust. You play as a customizable character that looks like it belongs in an incarnation of ‘the crucible’, and change teams every time you play.
There are many different characters in the game, such as the Joker- who can only die if they’re lynched, but the village wins- the sheriff -who can question one person a night- and many more. (My personal favourite to play as is the mob boss because I can sit back, kill a person a night, claim joker to the Sheriff, and throw people under the bus.)
The games themselves go for roughly ten minutes in their classic form, and the banter is pretty easy going. I will say though, if you’re not over 16 years old, might want to give this one a miss for a bit. Some people go really hard, and even I felt intimidated in the first few rounds. Thankfully I think a patch has been worked into the game, because as time wore on, I found less of the shit storm of online trolldom, and more people there to actually play a decent game. But I digress.
Where Town of Salem shines is it’s variety. Even if you play long periods of time, or binge like I did, you’ll get a different game in every incarnation of the setting. With all the character roles, it’s a challenge for everyone involved, and really easy to get hooked on. Yeah, I spent a whole day playing and met the same people roughly three times? It’s got a really big online forum, which is great because it means if you have a boring game it won’t stay that way forever.
Because of the way it gave me an outlet for my longing for game nights with friends, but also all the troll banter, I give this game:
5/5 Mafia Bosses for style
3/5 Mafia Bosses for Community spirit
4/5 Mafia Bosses for easiness
0/5 Mafia Bosses for the names people give their characters. Seriously, the fuck dudes?
So holy Heckerooni, that was the last Beta test of 2018. I hope you’ve had as much fun as I’ve had trying new things, and being a total goof about flubbing through everything. If there’s one thing I think we can all take away from the year it’s – Don’t be afraid to start something. It might just be the best thing you could have ever done. And what of 2019? Don’t worry, like I said, not unlike Arnold Schwarzenegger, I’ll be back. Bigger and Beta than ever (gotta leave em on a pun).
So, for the FINAL TIME OF 2018, I’ve been a Bethany Griffiths, and this has been an ‘amazed at how the year’s gone’ Beta Test. A game review platform where I either got better or got wrecked. All in the hopes that I can provide you with a completely unbiased review.
Until next time,


It’s the final episode for 2018!
Kendall and Fulya deliver the latest in nerdy news and geeky goodness in the pop culture podcast that refuses to behave—it’s A Podcast Called FRED!
Nerdy News includes:
Trailer Park discussions:
Quickie Reviews:
Popcorn Culture:
Check out A Podcast Called FRED #48 ⬇️
Remember to let us know your response to the Popcorn Culture question so you can be featured in the next episode of A Podcast Called FRED!
PREVIOUS EPISODE: A Podcast Called FRED #47 ⬇️
I’m a Wayne Stellini and welcome to FRED Watch, where we review everything from the mainstream to the obscure. Today’s film is The Tower (타워) …

CJ Entertainment
On Christmas Eve, a helicopter crashes into a luxury skyscraper, trapping an assortment of partygoers and residents inside. It’s a race against time as firefighters climb to the upper levels and the tower’s structure begins to succumb to the intense heat…
Disaster movies flourished in the 1970s, beginning with Airport (1970), and ruled by ‘Master of Disaster’ producer Irwin Allen, who was responsible for the genre’s masterpieces The Poseidon Adventure (1972) and The Towering Inferno (1974). A number of recent films have contributed to the catalogue of disaster epics, but none have come close to matching the X factor of the aforementioned classics.
Unsurprisingly, Kim Ji-hoon‘s The Tower owes much to The Towering Inferno. The screenplay’s structure mirrors its Hollywood muse, introducing an array of characters, many of whom are not given more than what their archetypical constraints permits, and isolates them in a burning building. Not all characters are accessible, but those that are add to the tension of the film as everyone’s life is on the line here.
Central to the story is busy single father Kim Sang-kyung, as Tower Sky’s manager Lee Dae-ho. He is in love with Seo Yoon-hee, the skyscraper’s restaurant manager, played by the stunning Son Ye-jin. It is their love for one another and protection of Dae-ho’s daughter Ha-na (Jo Min-ah) that contributes to a number of touching moments and intense action sequences. There are other characters that are worth investing in as well, such as rookie firefighter Lee Seon-woo (Do Ji-han) and Captain Kang Young-ki (Sol Kyung-gu). But not all are worth getting to know; it is perhaps no accident that the wealthiest and most socially powerful characters are the least interesting.
The Tower is also funnier than you would expect, mainly because of Jeon Bae-soo as cook Young-chul; his light touches are a welcome relief. The sentiment is a little overplayed at times (especially in the final act), hindering the momentum of some incredible action sequences: the helicopter smashing into the Tower Sky, panicked people rushing into and being trapped in a lift, crossing the sky bridge… the list goes on!
And this is where The Tower proves itself worthy of the admission ticket or DVD purchase. As an action piece, it is incredibly photographed, framed, and edited; there is no denying that the film is always good to look at. Overall, it’s an entertaining flick that found favour at its domestic box office.
The Master of Disaster himself would approve. 4 / 5
Starring: Sol Kyung-gu (설경구), Kim Sang-kyung (김상경), Son Ye-jin (손예진), Kim In-kwon (김인권), Ahn Sung-ki (안성기), Song Jae-ho (송재호), Lee Han-wi (이한위).
Director: Kim Ji-hoon (김지훈) | Producers: Lee Han-seung, Lee Su-man | Writers: Kim Sang-don, Heo Jun-seok (adapted by Kim Ji-hoon,Yoo Young-ah, Lee Min-jae) | Music: Kim Tae-seong | Cinematographer: Kim Young-ho | Editor: Kim Sang-bum, Kim Jae-bum
Available: DVD.
Let us know what you thought of this film in the comments!
I’ve been a Wayne Stellini and you’ve just experienced FRED Watch.
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